SHINYA AFTER3rd
SHINYA AFTER 3rd 「Still Daylight」 — そっちはまだ昼
The third AFTER record — the hour a night ends on one side of the earth while an afternoon carries on at the other. Seven dark R&B tracks between 68 and 78 BPM on the one fact that does not move: only I am ending. Coming soon.
Playlist
Still Daylight
Still Daylight — SHINYA AFTER 3rd Mix
The hour a night ends on one side of the earth and an afternoon carries on at the other: seven dark R&B tracks between 68 and 78 BPM, ending with the curtain closed and the sound left open.
Singles
Still Daylight
そっちはまだ昼
A reply arrives with short shadows in the photo — the emptiest track here, a notification standing in for the drums.
Minus Twelve
十二時間引く
The arithmetic became a habit, and the easier it got the further away it read.
Traffic on Your Side
そっちの車の音
Their daytime comes down the phone line — the only track that lets the outside in.
Somewhere It's Four
どこかは四時
Her four o’clock becomes somebody else’s — the slowest and widest track, with clock ticks deliberately out of phase.
Same Song, Your Noon
同じ歌、君の正午
One melody played twice in two timbres, because a song cannot choose the hour it is heard in.
You're at Work
君は仕事中
A slow reply is astronomy, not feeling — the fastest and busiest track here.
I'll Sleep First
先に寝るね
For once she is the one who ends first — the curtain closes, and the reverb does not.
SHINYA 深夜6th
6th Album 「朝のすぐ手前で」 — Just Before Morning
The hour from 4 to 5 AM, the one hour of the night where a choice is still left — seven tracks between 68 and 96 BPM, alone, ending with the curtain open. Coming soon.
Playlist
Just Before Morning
Just Before Morning — SHINYA Original 6th Mix
The hour from 4 to 5 a.m., the one hour of the night where a choice is still left: seven tracks between 68 and 96 BPM played through three times, ending with the curtain open.
Singles
午前4時になった
It's 4 A.M.
The clock turned over and nothing else did — the emptiest track here, one pad and a ticking.
寝たら負けみたいで
Like Sleeping Means Losing
Looking for a reason to stay up and finding none — the first track with a kick.
三時のほうが夜だった
Three Was More Like Night
The dark is unchanged and only the name for it moved — the slowest and widest track, and the only one in B minor.
空が先に起きる
The Sky Wakes First
The night ends without her deciding it — the only track that opens upward, and the only major key.
今から寝ると一日が消える
Sleep Now and the Day Is Gone
The arithmetic of 4 a.m., circling back to where it started — the fastest and busiest track.
もう朝でいい
Morning Is Fine Now
The body decides before the head does — back to the opening track’s emptiness, but the last reverb opens instead of closing.
SHINYA AFTER2nd
SHINYA AFTER 2nd 「Empty Room」 — 空っぽの部屋
The second AFTER record — the last night in a room already emptied. Seven dark R&B tracks at 72 BPM run the night in order, from three boxes on the floor to the light going off. Coming soon.
Playlist
Empty Room
Empty Room — SHINYA AFTER 2nd Mix
The last night in a room already emptied, at 72 BPM: seven dark R&B tracks in the order the night runs, played through three times, ending where the echo stops.
Singles
Empty Room
空っぽの部屋
The boxes are out and every step echoes — no drums at all, and the most reverberant room on the record.
Nothing in the Closet
何もない
She knows it is empty and opens it again — the first track where the 808 sub comes in.
Didn't Fit in the Box
箱に入らなかった
The one thing that will not go in the box — the driest, smallest sound here, with the reverb taken out on purpose.
Sleeping on the Floor
床で寝る
The bed is gone, so the ceiling shows for the first time — the lowest sub bass on the album.
The Building at Night
この建物の夜
On the last night she listens to the noise she always resented — percussion built from the building itself.
Curtains Down
カーテンを外す
With nothing left to cover the window, the room's real colour shows — the only track in a major key.
Turn It Off
電気を消す
She turns the light off and goes — the drums drop away and the last reverb tail is cut rather than faded.
SHINYA AFTER1st
SHINYA AFTER 1st 「Blue Hour」 — 青い時間
A third line begins — SHINYA AFTER, for the hour after the club empties. Seven dark R&B tracks at 72 BPM inside the blue hour before sunrise, where two people stay in a room that is ending. Coming soon.
Playlist
Blue Hour
Blue Hour — SHINYA AFTER 1st Mix
One hour before sunrise at 72 BPM: seven dark R&B tracks joined into a continuous mix that loops back into itself.
Singles
Blue Hour
青い時間
The sound has stopped and neither of them moves — one of the two tracks with no drums at all.
Don't Turn the Light On
電気はつけないで
A hand reaching for the switch and stopping halfway — the dark is a choice, not an escape.
Half Asleep
半分眠ってる
No border between the dream and the room — one vocal layer is played backwards under the lead.
Say It Again
もう一回言って
Asking for the same words at the same distance — the closest, driest mix on the record.
Your Coat Is Still Here
コートはまだここに
The object answers before the person does — the lowest sub-bass and the stillest track on the album.
Light Gets In
光が入る
The only major-key track on the record — and the one that ends on "even the ending was beautiful".
Go, Then
じゃあ、行って
Holding the words that would stop you and choosing not to use them — the drums drop away and the album closes its loop.
SHINYA CLUB2nd
SHINYA CLUB 2nd 「Second Wind」 — 二度目の息
The body answers before the head allows it. Seven Jersey club tracks at 128 BPM tracing one night in order — from not being able to move, through a breath that returns for no reason, to a morning met without sleeping. Out now.
Playlist
Second Wind
Second Wind — SHINYA CLUB 2nd Mix
One night in order at 128 BPM: seven Jersey club tracks joined into a continuous mix.
Singles
Can't Move Yet
動けない
Head knows, body won't answer — the one track with no club kick, lying on top of the covers at 4 percent battery.
Second Wind
二度目の息
The title track: the body switches back on for no reason at all, and the club kick lands for the first time.
Two Steps at a Time
二段飛ばし
Nobody is chasing him and he climbs anyway; the synth arpeggio walks up one step per bar.
Green Light, Go
青で行く
Waiting out a red light at an empty crossing — the crossing signal itself is played as percussion.
Nobody's Up
誰も起きてない
The peak of the record: dancing alone in an unlit room, with the window as the only audience.
Let It Cool
汗が引くまで
Sitting on cold concrete while a low-pass filter closes over the whole arrangement — the sweat cooling, heard.
Morning Anyway
それでも朝
A morning met without sleeping is a slightly different color — the closer refuses to close, ending on "the next night, the same thing".
SHINYA SPECIAL
SPECIAL 「今夜も開演」 — Tonight, the Curtain Rises
Outside the three lines — one bright song at 136 BPM, with the channel’s first full music video. At ten at night the daytime face goes into a drawer, the city’s windows come on like seats, and the front row is kept for you. Out now.
Singles
今夜も開演
Tonight, the Curtain Rises
At ten at night the daytime face goes into a drawer and the name for the night comes out — the city’s windows light up like seats, and the show opens again.
SHINYA CLUB1st
SHINYA CLUB 1st 「Paper Luck」 — 紙の運
A new line begins — SHINYA CLUB. Seven Jersey club tracks at 128 BPM about paper luck: lottery tickets, folded odds, and luck you can hold in one hand. Out now.
Playlist
Paper Luck
Paper Luck — SHINYA CLUB 1st Mix
Seven scraps of paper luck at 128 BPM, joined into one continuous club mix.
Singles
Velvet Pickle
ベルベット・ピクルス
Falling for a pickle jar glowing like a lucky charm in the back of the fridge.
Pocket Full of Odds
ポケットいっぱいの端切れ
A ticket, a lemon, one balloon — counting worthless things until they all mean something.
Paper Cup Moon
紙コップの月
A chipped paper cup moon on the dashboard — about to spill, and lovely anyway.
Blue Crayon Dice
青いクレヨンのサイコロ
Roll a blue crayon like dice and start wherever it stops — no asking twice.
Lottery Ticket Rain
くじの雨
Scratching one found lottery ticket together — the numbers never match, and it's still the best game.
Paper Cup Parade
紙コップのパレード
The shortest, straightest track — carrying every worthless treasure out into a one-person parade.
SHINYA 深夜5th
5th Album 「誰かの部屋で」 — In Someone's Room
Eight rooms at the same 3AM — for the first time, the night belongs to strangers. The last room is yours. Out now.
Playlist
誰かの部屋で
In Someone's Room — 5th Album Mix
Eight rooms at the same 3AM, joined into one continuous mix.
Singles
後部座席の寝息
Breathing in the Back Seat
Someone else's night in the back seat — the quietest five minutes of the shift.
交代はまだ来ない
The Shift Change Never Comes
3AM at the register — the whole town's night walks in through the automatic door.
眠ってはいけない
I Must Not Fall Asleep
A chair not made for sleeping — ears more awake than the body.
壁の跡だけ
Only the Marks on the Wall
The furniture is gone; only a clean square of sunlight stays on the wall.
みんな起きている
Everyone's Awake
Four lit windows across the street — everyone's awake, and that's enough.
SHINYA 深夜4th
4th Album 「おやすみのあとで」 — After Goodnight
Seven songs of the night after becoming us — from a call no one ends to the first train seen off together. Out now.
Playlist
おやすみのあとで
After Goodnight — 4th Album Mix
Seven songs of the night after becoming us, joined into one continuous mix.
Singles
切りたくない
Don't Hang Up
Three goodnights, zero hang-ups — ten percent battery and still connected.
幸せが怖い
Afraid of Being Happy
Used to unhappiness — and nobody teaches you how to get used to this.
また逃げそうになる
Almost Ran Again
The old me keeps pointing at the exit — today I turned back on the stairs.
午前4時の想像
Imagining at 4AM
Nothing has been lost yet — checking for warmth before sleep will come.
始発を二人で
The First Train, Together
The sound once heard alone, heard together — and this time no one boards.
SHINYA 深夜3rd
3rd Album 「怖いままで」 — Still Afraid
Seven songs from 1 AM to 5 AM — a night of being afraid to fall in love again. Out now.
Playlist
怖いままで
Still Afraid — 3rd Album Mix
Seven songs from 1 AM to 5 AM, joined into one continuous mix.
Singles
好きかもしれない
Maybe I Like You
Fixing your hair with no plans to meet — maybe it's already too late.
午前1時の通知
Notification at 1AM
Five characters at 1 AM, and hands that shake instead of smiling.
言えなかった話
The Story I Couldn't Tell
Laughing past last summer, hiding a night that isn't ready to be seen.
SHINYA 深夜2nd
2nd Album 「始発まで」 — Until the First Train
Seven songs from midnight to the first train — the night after the night ended. Out now.
Playlist
始発まで
Until the First Train — 2nd Album Mix
Seven songs from midnight to the first train, joined into one continuous mix.
Singles
SHINYA 深夜1st
1st Album 「SHINYA 深夜」
Seven tracks for the hours after midnight — the album where the night begins.
Playlist
SHINYA 深夜
J-Pop · Dark Electronic — 7 Songs · 60 Min
All seven tracks in one continuous hour — dark electronic J-pop for the hours after midnight.
Singles
New music at midnight
Every album lands on YouTube and in every store at 23:59 KST on its release day.